Novel Gazing is committed to helping writers. Our editors regularly write articles on writing and editing in popular web magazines.
The start of a new year is a good time to finally commit the time and energy to write a book. But first, ask yourself one important question to find out if you really have what it takes to be a writer.
If you’re struggling to meet your daily NaNoWriMo word count, or any other writing goals, take a few minutes for some useful procrastination to help you hit your writing targets.
Understanding your hero’s goals will help you plan your plot line and develop the engaging, motivated characters your readers will love to follow. Here are three easy steps to get you on your way to developing your characters’ goals.
To get to the heart of what motivates your characters, you need to find out what’s most important to them. Here are three exercises to find out what values drive your characters.
It’s easy to get an idea for writing, said playwright Lajos Egri. Find inspiration by taking a quiet moment to observe the world around you and within you.
The mind can be a writer’s harshest critic, and it never seems to shut up. But you don’t need to pay attention to everything it says. In this post, we introduce three techniques to help you cope with self-criticism.
Editing is like housework, it goes unnoticed unless it’s not done. Here are five reasons why professional editing is a necessity for your writing.
If you’re thinking of employing an editor for your novel, take a look at this detailed list to help you decide if the editor is worth it. Or not.
An article featured in Writer's Digest by associate editor, Jim Dempsey, explaining the kinds of corrections an editor can make to a manuscript, and how editors and authors can work together to make a great novel even better.
Jim Dempsey describes five easy fixes for authors who want to save money on professional editing services.
How do you choose the best editor for your novel or short story? Associate editor, Anna Yeadell-Moore, explains how you can tell the difference between an editor who says they’re good and one who actually is good.